
New Music Conductor Fellowship
Vimbayi Kaziboni, Music Director & Conference Ensemble Conductor
CONFERENCE DATES
July 13 - August 3, 2025
APPLICATIONS NOW CLOSED FOR 2025 CONDUCTING FELLOWSHIPS
GUIDELINES BELOW
Applications for our 2025 New Music Conductor Fellowship are now CLOSED. The application deadline is April 1, 2025. Created with the Conference’s philosophy that the power of art is a means for gaining knowledge and practicing change, the New Music Conductor Fellowship centers sharing and learning in community. The 2025 New Music Conducting Fellow will be in residence at the Conference for WEEKS 2 & 3, July 20-August 3, 2025.
The New Music Conductor Fellow will work with Ensemble Conductor and Conference Music Director Vimbayi Kaziboni, AD Kurt Rohde, CMW Director Jessica Tong, the Conference Ensemble, Guest Composers and CPI Fellows. The fellowship will cover tuition, room and board, and limited travel expenses.
The goal is to bring an exciting young up & coming new music conductor to the Conference to work with our new conductor & the Conference Ensemble & CPI. The target applicant will give preference to a BIPOC/ALAANA, non-male identifying person.
An ideal candidate would be someone who:
is still in the early stage of their career and has received significant training,
has a strong commitment and interest in working with living composers,
is committed to working with new music performers in a respectful, professional, collaborative manner,
has a vision for their role in our new music community,
is sensitive to the need to promote and champion composers and performers from underrepresented communities who would benefit from opportunities afforded them that are typically out of reach, and
is excited about working with amateur musicians on a variety of repertoire.
Previous Application Information - CLICK HERE:
Materials: Please submit high quality video with good audio of your conducting piece(s) from 1950 to the present, with a preference for music by living composers. Please upload your video selections to a YT or Vimeo account; make sure that these videos will be available up through July 31, 2025.
Selection #1: link to 10 min. or less of unedited rehearsal video; should be of a single work
Selection #2: link to 5 min. of an unedited performance video; may include up to 2 pieces, with the selection for each piece being unedited
Application Deadline: April 1, 2025; applicants notified by May 1, 2025.
NOTE: The initial screen will be done by Music Director Vimbayi Kaziboni. Up to 5 applicants will be selected as finalists and asked to have a short 15-minute ZOOM interview with MD Kaziboni, along with Conference Artistic Director Kurt Rohde. Please note that all participants for the 2025 Conference must be up to date with full vaccination for the COVID-19 virus not less than 1 month prior to the beginning of the 2025 Conference. For questions about the application, please email the Executive Director Kathryn Welter at welter@composersconference.org.
This fellowship is funded by Kurt Rohde.
2025 New Music Conductor Fellow lukA Venter
Luka Venter (they/them) is an award-winning conductor-composer and countertenor from Aotearoa (New Zealand). A previous Conducting Fellow with the New Zealand Symphony Orchestra, Luka has conducted the NZSO, Orchestra Wellington, Christchurch Symphony Orchestra, the Slovak Radio Symphony Orchestra, AltreVoci Ensemble (IT), SMP Ensemble (NZ), and others.
Luka’s expertise in both opera and contemporary music has led them to conduct for the Royal Opera House — working alongside George Benjamin on the UK première of Picture a day like this — as well as working with the Théâtres de la Ville de Luxembourg/Orchestre de Chambre de Luxembourg, New Zealand Opera, and Wellington Opera.
Luka is an alumnus of the Britten-Pears Young Artist Programme (2023-24) during which they worked with mentors from the Royal Opera House and Britten-Pears, as well as conductors Sian Edwards and Kanako Abe. Through this, Luka worked closely with composer Bushra El-Turk and led a performance of extracts of Woman at Point Zero with Ensemble Zar and soloists Dima Orsho and Rosie Middleton. Luka has also been mentored by conductors including Gemma New, Neeme Järvi, James Judd, Timothy Redmond, Hamish McKeich, Baldur Brönnimann, Martin Sieghart, and Sarah Ioannides.
Through the Eastman School of Music, they have taken part in seminars on analyzing contemporary music with Robert Hasegawa. Alongside their conducting, Luka has an equal practice as a composer, and is the 2025 NZSO National Youth Orchestra Composer-in-Residence. Their music’s shifting textures and vivid sense of color connect into an emphasis on ecologically informed composition, translating natural phenomena into sonic processes. Another fundamental aspect of their work is a deep engagement with text and the human voice, particularly where these connect into questions around ecology, and the friction between the past and our current place in the Anthropocene.
Luka’s music has been heard internationally, including recent premieres at the Barbican Centre, St Martin-in-the-Fields, and the 2024 International Viola Congress (Campinas, Brazil). A previous winner of the NZSO Todd Corporation Young Composer Award, Luka is a graduate of the Guildhall School of Music and Drama and Te Kōkī | the New Zealand School of Music.